Grasp. A Video Poem by Robin Ouzman Hislop


 
 
 
 
 

 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; at Artvilla.com his publications include
 
All the Babble of the Souk , Cartoon Molecules and Next Arrivals, collected poems, & Moon selected Audio Textual Poems available at Amazon.com as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

Lullaby for Tomorrow. A Video Poem by Robin Ouzman Hislop


 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times;at Artvilla.com
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author.
See Robin performing his work Performance (University of Leeds)

A Quantification of Time An Audio Textual Poem by Robin Ouzman Hislop

 
A Quantification of Time
 
fragments of the day embodied
in its wake of forgetfulness
towards an edge
 
a return a becoming
an instant of the world
reaching to touch
the whole the less
 
a universe that unfolds me
its solitary stranger
to greet its oncoming rush
 
its image left in doubt
its moment a bonfire
heap of antiquity (audio effect)
where insects scuttle forlorn
 
 
 
 

 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; at Artvilla.com his publications include
 
All the Babble of the Souk , Cartoon Molecules and Next Arrivals, collected poems, & Moon selected Audio Textual Poems available at Amazon.com as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

The Poetry of Noni Benegas Translated by Noël Valis Read by Robin Ouzman Hislop

From BURNING CARTOGRAPHY
The Poetry of Noni Benegas
Translated by Noël Valis

Another Light
For Paul Virilio

Groping through the house, blind steps
of chalk
with the light of dreams
suddenly opaque or radiant
Who shimmers that screen
in the darkened brain?
Like skin withering on the inside
the mystery of that glow persists

Otra luz
A Paul Virilio

A tientas por la casa con pasos
de tiza
con la luz de los sueños
tan pronto opaca o radiante
¿Quién alumbra esa pantalla
en el cerebro a oscuras?
Como la piel se aja desde dentro
el misterio de ese fulgor persiste

**

A Flower
For Ana Basualdo

The camellia sliver in the wake
of the boat at night
when the petal draws back
a trembling universe
like the line of flotation

**

Una flor
Ana Basualdo

La tenue camelia en la estela
del barco nocturno
cuando el pétalo descorre
un universo trémulo
como la línea de flotación

**

Traveling

Travelers who reach Medina de Raj-Kasar
are surprised to see its image repeated
–for instance—in the guide’s
topaz ring or in the pool-encircled moat
or even in the festive fountain’s inner courtyard
Travelers who reach Medina de Raj-Kasar
after crossing between two moons
the desert of Al-Ahmir
sigh before the delicate towers and dream
of filigreed chambers and soothful hookahs
Do travelers reach Medina
or someone reach Raj-Kasar at a precise moment
dusty curious indolent?
Medina de Raj-Kasar traveling toward the Atlas
of travelers
is pleasantly surprised before the fresh-faced passenger
standing intrepid in the middle
of the glittering oasis

**

Viajar

Los viajeros que llegan a la Medina de Raj-Kasar
se sorprenden al divisar su imagen repetida
–pongamos por caso—en el anillo de topacio
del guía o en la acequia que rodea el foso
o aun en la fuente que acoge el patio interior
Los viajeros que arriban a la Medina de Raj-Kasar
luego de atravesar entre dos lunas
el desierto de Al-Ahmir
suspiran ante las finas torres y sueñan
con el salón filigranado y el narguile conciliador
¿Llegan los viajeros a la Medina
alguien arriba en un momento preciso a Raj-Kasar
polvoriento curioso indolente?
La Medina de Raj-Kasar viajando hacia los viajeros
del Atlas
se sorprende gratamente ante el rubicundo pasajero
que se alza impávido en medio
del iridiscente oasis

**

Frida Kahlo
For Jan Lumas

Was it a work of art or her desire? a column
like harvested steel then fangs like jade
careening steeply
It beat with the bold haste
of temples foretold: the wind adrift
in teeth the eyebrows a buffalo bower
the stamp of the sphinx on asphalt
Was it a work of art or her desire? a column
of damp chalk posed day after day beneath the
agile pupil forever flowering

**

Frida Kahlo
A Jan Lumas

¿Era una obra de arte o su deseo ? una columna
de símil de acero segada más una alta carena
de colmillos de jade
Latía con la prisa impávida
de los templos futuros: el viento entornado
entre los dientes las cejas de dosel de búfalo
la impronta de esfinge sobre el asfalto
¿Era una obra de arte o su deseo ? una columna
de tiza húmeda posada día tras día bajo la
ágil pupila en floración perenne

**

Interruptions

Is it true her face keeps the impressions
of wakefulness,
the landscape seen through the train window
fleetingly deciphered;
is it true her face is interrupted?

Seated across from me
was the sacred icon
of an old Hollywood actress
old age stamped in her features,
not definitively decayed,
but very close.

In improbable transit
those features;
an abandoned aerodrome
with grass on the runway and wind
from the ends of the world.

But there is a canal
that boats go up, of liquid
crystal, oars and noises and houses
alive on its banks,

Her face swarms
swirling with malice.
Could she only have seen what she saw?
As if something were suspended
between two canals
in the stagnant waters of her cheek . . .

Is it true her face is interrupted,
what if the interruption isn’t a landscape or a sound
but simply me?


**

Interrupciones

¿Hasta qué punto su rostro guarda las impresiones
de la vigilia,
el paisaje visto a través de la ventanilla
descifrado por momentos;
hasta qué punto su rostro tiene interrupciones?

Sentada frente a mí
era un Buey Apis que era
una vieja actriz de Hollywood
pues anunciaba la vejez en sus rasgos,
no definitivamente añeja,
pero ya próxima.

De tránsito improbable
esos rasgos;
cerrado un aeródromo en desuso
con hierbas en la pista y viento
de techo del mundo.

Mas hay un canal
que las barcas remontan de cristal
fluido, remos y ruidos y casas
vivas en las orillas,

hay un hormigueo en su rostro
hecho de malicia y remolinos.
¿Sólo habrá visto lo que vio?
Si algo quedara en suspenso
entre dos canales
en el remanso de la mejilla . . .

¿Hasta qué punto su rostro tiene interrupciones,
si la interrupción no fuera paisaje o sonido
sino simplemente yo?

**

 

 
Noni Benegas, born in Buenos Aires and resident in Spain since 1977, is the author of seven books of poetry; a selection is collected in El Ángel de lo súbito, Ed. Fondo de Cultura Económica, (Madrid, 2014). Burning Cartography, Ed. Host, (Austin TX, 2007 and 2011) is a selection of these poems in English, and Animaux Sacrés, Ed. Al Manar (Séte 2013) in French. She has won the Platero Prize from the UN in Geneva; the Miguel Hernández National Prize for Poetry, as well as Vila de Martorell award, the Rubén Darío Prize from Palma in Mallorca, the Esquío Prize in Galicia. She is the author of the influential anthology of contemporary Spanish women poets Ellas tienen la palabra, Ed. Hiperión (Madrid, 2008, 4th edition) whose introductory essay, with a new prologue, articles, interviews and an epilogue has been recently collected by Ed. Fondo de Cultura Economica in 2017 with the same title. Ellas Resisten. Mujeres poetas y artistas (1994-2019) is a selection of her essays on women writers and artists published by Ed. Huerga & Fierro
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; at Artvilla.com
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author.
See Robin performing his work Performance (University of Leeds)

Power in Paganini Audio Poem with Music & Text by Robin Ouzman Hislop

Power

what is the concept of power
an emergent world power
shaping the world
from the sweep of history
the making of me
the what i am
the where i come from
to the mind of me
the making of the mind of me
to which the mind of me
must agree
with the yes of me
what is this concept of power
the movement of the world
to the movement of our specie
to the yes of the power of the word
made world
but the concept of economy
the mass mobilisation of a labour force
in its production
& control of a resource
that makes the world of me become
& to which i must Kao Tao
– submit
without option
my mind
made up for me
& if I say no
if I say yes to my no
it is meaningless in the face
in the might of the power to be
& throughout time
our brief time
humankind
has gone to war
against tyranny
& invasion
in the name of freedom
& gain
only to become
the tyrant again
such is the world’s religion
& so I am left
with my meaningless
yes to my no
& the absurdity of my existence
my made unmade mind
before the power of might is right
who knows
what the future may hold
Africa India China Brazil
may rise like phoenix from the ashes
in their struggle for control
& that is their answer
whosoever
whatsoever is in control
controls forever the mind
but no one is in control
no one will ever be in control
& as long as our species
perpetuates
its existence on this planet
it will never be in control
in less than 200 years
after
our disappearance
from the planet
nature would remove
all trace of human
civilisation
even the great wall of China
as a final remnant
would probably be covered
in lichen & fungi
with only the head
of the Dragon
in the sea
its back in the mountains
& its tail in the desert

 
 
 

 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; at Artvilla.com his publications include
 
All the Babble of the Souk , Cartoon Molecules and Next Arrivals, collected poems, & Moon selected Audio Textual Poems available at Amazon.com as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

Voices. An Audio Poem by Robin Ouzman Hislop

 
 

 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; at Artvilla.com his publications include
 
All the Babble of the Souk , Cartoon Molecules and Next Arrivals, collected poems, & Moon selected Audio Textual Poems available at Amazon.com as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

Holocene Audio Text Poem by Robin Ouzman Hislop


 
 
 

 
 
 
Robin Ouzman Hislop is Editor of Poetry Life and Times ; at Artvilla.com his publications include
 
All the Babble of the Souk , Cartoon Molecules and Next Arrivals, collected poems, & Moon selected Audio Textual Poems available at Amazon.com as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
 
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

Water & Time An Audio Poem with Text by Robin Ouzman Hislop

 
 

 
 

Water&Time

shortage

shotdown

shutdown

in our

short age

water&time

buy

and sell

the sky

eat drink

& be merry

for tomorrow

we buy

new oil

blue gold

POD

in the Hub

& pull the plug

dip your toes

in the flow

& watch

the money

grow

water water

everywhere

up for auction

like health care

in

competetive

water wealth

as you

float

on your back

in your

swimming pool

& stare

into

the unending

reach

of space

as if it were

a resource

in nature’s

supermarket

to buy

& sell

the price

of life

drop

by drop

into

the algorithm

where we’re

waiting in line

standing in

the queue

of shortage

in our

short age

water & time

 
 
 

 

Robin Ouzman Hislop is on line Editor at Poetry Life & Times at Artvilla.com. His numerous appearances include Cold Mountain Review (Appalachian University, N.Carolina), The Honest Ulsterman, Cratera No 3 and Aquillrelle’s Best. His publications are collected poems All the Babble of the Souk, Cartoon Molecules, Next Arrivals & Moon Selected Audio Textual Poems. A translation from Spanish of poems by Guadalupe Grande Key of Mist and Carmen Crespo Tesserae, the award winning (X111 Premio César Simón De Poesía), in November 2017 these works were presented in a live performance at The International Writer’s Conference hosted by the University of Leeds. UK. A forthcoming publication of collected poems Off the Menu is expected in 2020

 

You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)

 

Voyeur An Audio Poem with Text by Robin Ouzman Hislop

Voyeur

voyeur
celebrant
what?

yesterday’s
tommorrows?
elergys for

graveyards?
odes o’er
cribs

with desert
blue
left in turn

by
desert hue
night & day

carrying
a tent
until oasis

befriending
mirages
wayside

such that
we are
the world

& you
the same
instant

watch it
disintergrate
further

fringes
from
apperceptions

drop drop
dropping
into chasms

words
that tumble
& clink

onto
their
echoes

yet
voyeur
far

wherever
that
still is

listening
as waves
moan

a future
setting
them

free from
the sea
unto

horizons
disappearing
before

reach
but that
still

define
precipice
as

waiting
through
the shore

sheer
before
fall

 

Robin Ouzman Hislop is on line Editor at Poetry Life & Times at Artvilla.com. His numerous appearances include Cold Mountain Review (Appalachian University, N.Carolina), The Honest Ulsterman, Cratera No 3 and Aquillrelle’s Best. His publications are collected poems All the Babble of the Souk, Cartoon Molecules, Next Arrivals & Moon Selected Audio Textual Poems. A translation from Spanish of poems by Guadalupe Grande Key of Mist and Carmen Crespo Tesserae, the award winning (X111 Premio César Simón De Poesía), in November 2017 these works were presented in a live performance at The International Writer’s Conference hosted by the University of Leeds. UK. A forthcoming publication of collected poems Off the Menu is expected in 2020

 

You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)