Dear Readers,

Featured poets this month include --in random order: Bryon D. Howell, Barbary Chaapel, Toni Calvello, Taylor Graham,  Torre DeVito, James Schwartz, Chris Barnes and Richard Vallance.

Please scroll down the page.


Results for our last Readers' Poll: Top rated poems were those published by Jim Dunlap. All poems will be found in PL&Times July 2007~Featured Poets.
This was our last poll for this summer:  the section is now under revision.

 PLT Interactive is available for further posts: Just log in, reload and click on "create content" to publish your ad, comment, poll, blog entry or book entry.










Bryon D. Howell


Bryon D. Howell has been writing poetry for many years. In that time, his work has appeared in over 400 in-print and online poetry magazines. His goal is to one day be a "working poet," whatever that means. His inspiration? Shakespeare.
These particular pieces are random selections of Mr. Howell's poetry. Some of them were written years ago. Some are as new as two months old.
 

§Bryon Howell is also editor of a poetry e-zine  Persistent Mirage

§Winner of the First Readers' Poll Award. Read further.

Bryon D. Howell



THE PLACE

 The place where dreams don't come true anymore.
 The place where I am let down all the time.
 The place where sweetness is a closing door.
 The place where loving you is deemed a crime.
 The place where I am always thrown aside -
 I'm on my own without the will to live.
 I've given up on counting tears I've cried
 and no one wants the love I have to give.
 The place where you don't know how much I care.
 The place where all my feelings seem absurd.
 The place that's brim with anger, doubt, and fear.
 The place where all these words will go unheard.
 The place where all you know is "time apart."
 My love, this place I speak of - is your heart.

 ODE TO A FLOOR PLANT

 The last time I got drunk I felt the grief.
 I knew that it was time to make a change.
 The time had come to turn a brand new leaf.
 I was so sauced, but yet I felt ashamed.
 A brand new leaf and planting brand new seeds -
 that sounded nice for reasons I don't know.
 Of plants there are so many different breeds.
 I knew not where to start or when to go.
 I wobbled over to the living room,
 the artificial plant looked way too thin!
 "Look at this dust! My house is such a tomb!"
 Half drunk I shouted, "Here it shall begin!"
 I was so drunk and frazzled, had to pee.
 "Drink up, my friend. It's time to be a tree!"

 PENNIES FOR MY DREAMS

 To be as free as freedom, what a dream!
 A thought which I indulge in all the time.
 A tricky treasure I cannot redeem -
 I settle for the truth, not worth one dime.
 The homeless and the hungry, babies dead.
 The unpaid bill, the jobs no one can find!
 Still “freedom” somehow echoes in my head.
 Who knew that hope itself could be unkind?
 Each blue day passes and I fear the next -
 insurgency, the killings - thoughtless tripe.
 I do believe this world I’m in is hexed -
 and as for love I am nobody’s type.
 I have a jar yet have no change to spare.
 Perhaps it stinks since I deny it air?

 CPR FOR SONNETS

 They told me rhyme will be my true demise.
 My friends, I disagree with all that spat.
 Don't you give into all that nonsense chat -
 like ghosts from coffins, watch my sonnets rise.
 They told me many things I just ignore -
 so quick they are to label what's a miss.
 They'll bleed with no constraints to fatal bliss.
 My sonnets will live on forevermore.
 They told me, "Stop, you do not have a chance!"
 I told them, "So, what else is new for me?"
 I put my soul into my poetry.
 We all must die someday. For now, romance.
 A B A B times three has met its death?
 I'll save each with a couplet from my breath.

 THE BARNYARD DOOR

 My love was like a cow which always mooed.
 My love was like a garden snake which slid.
 My love was like a squirrel, nuts - it's true.
 My love was like a fox who ran and hid!
 My love was like a horse which always dumped.
 My love was like a chicken laying eggs.
 My love was like a hare which always thumped.
 My love was like a rat on sneaky legs.
 My love was like a bull, you know the rest.
 My love was like a pig which oinked a lot.
 My love was like a sheep - that "secret sex."
 My love was like a hen who laid all cock.
 My love, she was, she is my love no more.
 My love died when I closed the barnyard door.

 THE SPELL-TALE HEARTS

 Held back so long I now can barely think
 and eyes patrol the room like rookie cops.
 My heart's a dam, your presence is the chink -
 I'm leaking from the heart. I hope it stops.
 It's been so long I have denied my eyes
 the rainbows and the mist stares leave behind.
 For you it's all returned, they're open wide.
 I'm gazing at perfection. Does it mind?
 So back to thoughts inside all turned and tossed ...
 back to my heart, the one which aims to leak.
 Blood's dripping, rippling, fleeting, breaking - lost.
 I once said, "Not again." Alas. I'm weak.
 Four eyes cast spells in one warm line of fire.
 In disbelief, they break. Farewell, Desire!


c. All poems by Bryon D. Howell, 2007.




Much of DeVito's poetry deals with
interpersonal relationships, but he seems
to draw his inspiration and much of his
metaphor from the natural world. His voice
is very consistent throughout the body of
his work, but he explores a variety of
styles. Most of his poems are metrical; many
employ rhyme - sometimes in surprising ways.
 
     Torre currently lives in North Carolina
with his wife and children.


TORRE DEVITO


A Week on Squam Lake


I had never heard a loon cry
Until that first night in New Hampshire
At the lake house in Holderness
While we nine friends (more like one family:
five siblings with four parents)
Talked and joked and made loon-puns:
About bird's underwear (panta-loons),
And big mean ugly birds (loon-goons).
Meanwhile the haunting, lonely sound
Entered my soul.

And then that first brisk morning
We woke before the fish
Picked our way between the wisps
Of silent silver mist to cast our lines to the dark water.

It was the last time a summer day
Would seem to linger for a brief eternity
Those languid days which stretched
before me like the lake, yet rushed behind me
Like the wake of our small mottorboat
The last warm days of a summer that had begun
With the death of a friend
And would soon fade into the autumn
of my childhood.

Even now I hear the sounds
Of days that ended way too soon:
The lap of water 'gainst the boat,
A fat trout flapping on the dock,
Slap of paddles, outboard's drone,
Sweet laughter, and the cry of loons.

A Long Way South of Now


Down, down, down in the south of my childhood,
Drawn out dreams of days departed
Drape, like moss in limbs of bleached wood:
Shrouded bones, in a glade uncharted.

The memories flash like dusk heat lightning,
Or the fire flies that flit and flare,
But grow rusty like the screen door, sighing
With creaks and groans in the hot night air.

These dreams of Dixie hang like laughter
Of small black children clear and sweet,
But bleed like fingers picking cotton,
And cling like the stale mill house heat.

Oh, they taste like a sweet ripe watermelon,
But crack, like the hard, red, sun-baked clay,
And just like a ripe, ripe fig start smelling.
A thing, once fine, that's spoiling away.

Commuting


The waiting eyes, the vacant stares, the feet that pace and rest,
Become alive at eight-oh-nine, fold their papers, ask the time,
Move down the platform in a line, as the eight-oh-one pulls in.

The air-brakes hiss, the metal wails, the train stops with a sigh.
And so another day's begun: the programmed bodies move as one,
Board the train and sit benumbed, or peer through smudged green windows.

As for me I search their faces, looking for some sign of life.
What I seek I do not find, the fault however may be mine,
I think; perhaps, that I've grown blind from too much introspection.

A hiss, the smell of ozone, and a lurch, and we begin
As plastic smells and smoke combine, I feel detached, displaced in time,
Hurtling on without design down steel rails worn bright with use.

Peering out the window, I think about a friend.
I mourn his loss and feel resigned. Did I commute his death to mine?
I strain to see beyond the grime of scratched, green-tinted plastic.

Through granite rock-cuts, barren trees, beneath a steel gray sky,
The world’s grown dim and monochrome. amidst this crowd, I am alone.
I feel that I have turned to stone, devoid of all emotion.

I strain to see beyond the grime of scratched, green-tinted windows,
I read the name of every station, watch them pass in desperation
Till I reach my destination, then, alone, I disembark.

The cigarette butts, and coffee cups; a paper bag, and I:
Kinetic cast-offs, unaware, move down the platform toward the stair;
Motivated by the air that rushes in the wake of things.


Be Strong my Love, and Soft

Be strong my love,
And soft, like mountain rain.
Find pools of peace
Reflecting love and light,

Form torrents that
The rocks cannot contain
Drive onward with
Relentless waters, white...

Be deep enough
Absorbing joy and pain,
Be strong my love,
And soft, like mountain rain.


Gliding

We move through mist, wordless
In our separate thoughts, gliding
Through muddy whiteness, straining
To see yellow lines on wet asphalt.

Taut power-lines emerge
Against a brooding sky, sudden
Illumination, then nothing.
You sleep beside me through the vision.

I feel alone, yearning
For your conversation, longing
Through lonely landscapes, sharing
My secrets, though you are sleeping.

You stir without waking.
Sensory deprivation ending:
The fog clears or we emerge,
Closing on an unknown destination.


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Some bio details...
in 1998 I won a Northern Arts writers award.  In July 200 I read at Waterstones bookshop to promote the anthology 'Titles Are Bitches'.  Christmas 2001 I debuted at Newcastle's famous Morden Tower doing a reading of my poems. 
Each year I read for Proudwords lesbian and gay writing festival and I partake in workshops.  2005 saw the publication of my collection LOVEBITES published by Chanticleer Press, 6/1 Jamaica Mews, Edinburgh.
 
 On Saturday 16th Aughst 2003 I read at the Edinburgh Festival as a Per Verse poet at LGBT Centre, Broughton St.
 
I also have a BBC webpage  www.bbc.co.uk/tyne/gay.2004/05/section_28.shtml and http://www.bbc.co.uk/tyne/videonation/stories/gay_history.shtml (if first site does not work click on SECTION 28 on second site.
 
Christmas 2001 The Northern Cultural
Skills Partnership sponsored me to be mentored by Andy Croft in conjunction with New Writing North.  I   made a radio programme for Web FM community radio about my writing group.  October-November 2005,
I entered a poem/visual image into the art exhibition The Art Cafe Project, his piece Post-Mark was shown in Betty's Newcastle. 
This event was sponsored by Pride On The Tyne.  I  made a digital film with artists Kate Sweeney and Julie Ballands at a film making workshop called Out Of The Picture which was shown at the festival party for Proudwords.  The film is going into an archive at The Discovery Museum  in Newcastle and contains my poem The Old Heave-Ho.  I worked on a collaborative art and literature project called How Gay Are Your Genes, facilitated by Lisa Mathews (poet) which  exhibited at The Hatton Gallery, Newcastle University before touring the country and it is expected to go abroad,  funded by The Policy, Ethics and Life Sciences Research Institute, Bioscience Centre at Newcastle's Centre for Life.  I was  involved in the Five Arts Cities poetry postcard event which exhibited  at The Seven Stories children's literature building.  In May I had 2006 a solo art/poetry exhibition at The People's Theatre why not take a look at their website http://ptag.org.uk/whats_on/gulbenkian/gulbenkian.htm
 

The South Bank Centre in London recorded my poem "The Holiday I Never Had", I can be heard reading it on www.poetrymagazines.org.uk/magazine/record.asp?id=18456

  CHRISTOPHER  BARNES


 

Leading Forms Into The Light

 
Let me throw in a single mess-mate of mine,
Milady of this toast of the tour club, bachelor girl,
Pitch-dark Medea with a Soho chuckle,
The test case: Miss Muriel Belcher.
 
She has an on-the-loose locution,
Fumes of slop-beer and sweat, blends drinks
For a motley crew coven
Who smarm into retreats
In the hole-and-corner lay out
Of the Colony Room.
 
I’ll paint her many times
Surroundings dipped bice against jade
With a whacking impact
Of the lip and gullet as she tos and fros
To curse a mortal soul.
 
The casts in red will be volatile
And the commotion of her audacity
Schismish against the laid-low coolness of backdrop.
 
They’ll not be passport true-to-lifes,
Though that discernable neck,
Sure thing nostrils, crystal-clear hair-line,
Categorical cut-off of eyebrows,
Will leave an echoey tenderness.
 
Another time.  You will scrutinize
And see the things I see:
The head is human and yet
There is something about the bracing,
The soaring bend of the homing shark.
 
(based on an extract from Francis Bacon
by John Russell)
 
 

Leazes Park

 
Wan moon beating slow
A cricket chirps in long grass
You too make bubbles.
 
 
 

Legend

 
In Jesmond they’d call it chichi
Though parties are done now,
Faded dresses apathetic in wardrobes
Plucked out in the frosty moiré of afternoon –
She checks for stains, wool-gatherings past.
 
Brackish wit sliced those nights,
A shimmer, chandeliers, hotel lobbies,
Gold dripping from wrists, angles to glint
The sheer god-damn extravagance
Of coke.
 
At forty passion, red carpets, men
Leaving steam hot, probing other tangles.
A stomach the size of Moscow.  Sagging
Breasts female fingers have touched,
Streaked with wax, flaming lipsticks.
 
Ten years on she’ll never be Jean Muir again –
She fingers the label, sizzles up the zip
Scratching bobbles off the hem, folding it
In tissue for an Oxfam princess.
 
 

Leicester Square

(after Miroslav Holub’s Subway Station)
 
Here-and-there
They elbow bored tunnels.
With sundown chins,
Hollow-eyed, they’re snoringly lifelike.
 
Behind nine spurts of warm air
Night light will be fully-charged with pleasure,
A love-in of abdomens and feelers
Will sneak out the bliss they crave.
 
Grid reference – The Circle Line
Where day jumped off.
Eastbound, eastbound, eastbound,
Stuck-in-a-groove.
 
I clack jagged-edged jaws,
A menacing crush
As Mr. X shrugs at a late edition
‘downcast man blows track’,
Then
Forty seven bring-downs step on a train.
 
I’m static in the chink
At the upside of a hard sell
For a shaky tickled-to-death operetta
In a pit for drones.
 

By Christopher Barnes, UK


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________________________



Taylor Graham is a volunteer search-and-rescue dog handler in the Sierra Nevada of California, and also helps her husband (a retired forester/wildlife biologist) with his field projects. A native Californian, she studied for a year in Germany and has also lived in Alaska and Virginia. She and her husband responded with their trained dogs to the Mexico City earthquake of 1985.
Her poems have appeared widely, including America, Grand Street, The Iowa Review, The New York Quarterly, Poetry International, and Southern Humanities Review, and she’s included in the anthology, California Poetry: Gold Rush to the Present. Her newest book, The Downstairs Dance Floor (Texas Review Press, 2006), is winner of the Robert Phillips Poetry Chapbook Prize.

TAYLOR GRAHAM


SELF PORTRAIT OF THE POET

For the back cover of your book
you shot yourself triptych
between the bathroom cabinet mirrors,

elongated vertically in reflection,
is it computer-enhanced?
A hard-drive doesn’t gasp
for breath like you do.

With a two-day shadow,
in logger’s plaid shirt unlatched
and your smile half-mast,

you might have just
been chewing roadkill deer-
meat jerky like it was taffy, or
 
stubbed out the cigarette you lit
at age six;

or maybe you’re making Yankee
Doodle against the dark conspiracies,
against life without poetry
& oxygen canisters.

You’re glorified in this mirror-
disarray that lets the mind loose
on “words that weighed
the voice of the wind,”

that sail outside your tripled image
like bats into the night sky.

What if I turn my own mirrors
against themselves; hold the camera
gut-level; aim and shoot?

What would I see
in that picture?


STAINED GLASS

“... the parish church of Harborne... has no gorgeous
east window of coloured glass pictured over with olden
saints in fantastic robes.”
- Elihu Burritt, Walks in the Black Country and its Green Borderland

You loved how St. Peter’s held itself
Sunday-secluded from the noise and busyness
of the public roads; how it beckoned
down “solemn aisles of churchyard trees.”
And you loved its plain glass windows.

Small wonder, when you built by hand
a house of worship on your own small farm
in New Britain, it was plain, a “Barn-Chapel.”
Were you thinking of a stable
in Bethlehem? Or was it simply

your clear, uncolored notion of God?
No leaded webs, however rainbowed;
a faith unadorned by storyline
or dogma; just the clean
light shining through.


BURN

A wind loves witches
and will fan a fire
but never leaves unscorched
the goodfolk encircling
all around.


c. All poems by their respective authors, 2007.

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RICHARD VALLANCE




Richard Vallance, the Chairperson of the Ottawa Chapter of the Canadian Poetry Association, is an internationally established bilingual English-French Canadian poet and publisher. He also writes his own poems translated into English from French, Greek, Italian and Latin originals. His poetry home page, Poesie's laissez-faire Faire Foire, is a well established registered Canadian domain. As a publisher, he runs Aux Éditions Describe Adonis Press in Ottawa, Ontario, Canada.

He has published two books of poetry, both in CD-ROM format and both the equivalent of hardcover books of at least 500 pages. They are Canadian Spirit Voices and The New Pleiades Anthology of Poetry, aka Le Florilège de la nouvelle Pléiade. The first book is comprised of over 500 of Valance's own poems, while the second is an anthology of some 600 poems by 33 contemporary 21st century poets from 8 nations around the world, writing in English, French, German, Turkish and Japanese. Of these, 32 poems are by Vallance.

He is also the Editor-in-Chief of two world class poetry quarterlies: Canadian Zen Haiku, co-edited by Sondra Ball of the USA and Shigeki Matsumura of Japan, and Sonnetto Poesia, which has Pamela H. Murray of Canada, Carmen Ruggero of the USA, and Michael R. Burch of the USA and The HyperTexts as Associate Editors.

Recommended reading:
Richard Vallance~Sara Russell Interview



SONNETS


Knossos Sonnet 1
The Prince of Lilies: Knossos Fresco 1500 BC

Lilies at his feet, lilies in his hands, 
the Prince of Lilies in the white cortège
proceeds with friends, and loved ones and his bands
of cuirassiers, his composed manège.

His loin cloth purled in alabaster folds,
a lily chaplet crowns his onyx hair,
a peacock feather crowning it with golds
and azures streaming in the fragrant air.

In sea green silk soigné for Royalty,
this way he casts and that the glowing glance           
the bridegroom incarnates for all to see,
before they commence their epithalamic dance.

To come to wed his modest virgin bride,
her well-illumined grace he takes in stride.
   
Previously published in: Sonnetto Poesia ISSN 1705-4524
Vol. 6 no. 2 spring 2007 pg. 15
The Knossos fresco “The Prince of Lilies” (ca. 1500 BC) adorns the cover of the spring 2007 issue of Sonnetto Poesia


Le Prince aux lilas:  fresque à Knossos 1500 ajc
À l’alentour lys épars, échus à ses pieds,
le Prince aux lys d’azur conduit le blanc cortège
des cuirassiers si fiers des coursiers dressés
qu’ils réjouissent en devançant le beau manège.

En pagne embelli d’azur si scintillant
qu’il éblouit les invités, voilà sa grâce
 d’onyx épurée, le bel éphèbe insouciant
du sortilège insinuant Knossos sans trace.

Devant les murailles aux dauphins ensoleillés,
les vieux augures arrivent à célébrer la joie
du dauphin qui s’incarne ainsi aux invités
au mariage à vénérer l’épouse en soie.

Les bien-aimés s’agenouillent et, grâce aux dieux,
sans mot ils s’entrelacent à témoigner leurs voeux.

Richard Vallance 2007
a  été publié dans: Sonnetto Poesia ISSN 1705-4524
Vol. 6 no. 2 printemps 2007 pg. 16


God’s Faux Paw

God’s design for cats? –  surely to attain
Creation’s apex, leaving Him in awe:
but then, creating humans (under strain)
has driven Him mad for one small faux paw!
I, Argentée, will simply tell you that
no human acrobat can skip a fence
like any nimble quadridextrous cat,
aghast at fools all too forlornly dense!
WE Your Maine Coon Queen, purring in our pine,
shall meow and hiss our slight feline surprise
at any plea to rescue us –  Divine! 
This tree’s our demesne, won’t you realize?
   Poor humans, scribbling sonnets in a fit,
   who’d waste time on you, all too short on wit?
   

by HRH Argentée Maine Coon to the gallant
rescue of Richard Vallance (ghost writer)
Previously published in: Sonnetto Poesia ISSN 1705-4524
Vol. 6 no. 3 summer 2007 pg. 16

La Neuvième

dédiée à La Neuvième Symphonie en ré mineur, Opus 125, « L'Ode à la Joie » composée par Beethoven (1770-1827)  selon Friedrich von Schiller (1759-1802)   

Déjà des frémissements reluisant à l'aubade
correspondent aux chansons des oiseaux éveillés,
enfants des vallons, martyrs de la nuit maussade
évanouie grâce aux anges qui viennent les chercher.

Et si l'écho divin des hallalis résonne
au coeur du musicien, comment, n'entends-tu pas
le bois abandonné aux désespoirs d'automne
qui ne peuvent ni taire ni assourdir sa voix ?

Richard Vallance
a  été publié dans: Sonnetto Poesia ISSN 1705-4524; Vol. 5 no. 3 automne 2006 pg. 13

Too Terribly Sad *

        Why do the Nations so furiously rage together?
        Why do the people imagine a vain thing?
         George Frederic Handel (1685-1759) “Messiah” 40.
         Air:  Psalms 2:12
       
Lord, why is our world too terribly sad?
Please tell us why our husbands died so young?
or why our wars drive nations, love worn, mad?
or why terrorists' victims die unsung?
or why the terrible havoc hunger reaps
still harvests starving Africans in droves?
or why the plague of AIDS is ours for keeps?
or Nazis gassed Jews or fired them in stoves?
or why the Taliban kills infidels?
or why the beastly drug trade traffics death?
or Allah's martyrs blow their souls to hell?
or why their shattered victims bleed no breath?

    How long must we clash, furiously inept,
    before our Saviour's Death absolves our debt?


Richard Vallance 2006
Previously published in: Sonnetto Poesia ISSN 1705-4524
Vol. 5 no. 3 autumn 2006 pg. 14










Barbary Chaapel was born in the mountains of West
Virginia. She walked 250 miles with her aunt and uncle at age three to Painesville, Ohio where her uncle found work. It was here that the daily sound of a fog horn on Lake Erie shaped her future. Later in life she and her husband, Bill, spent nearly a decade cruising and living aboard their beloved sailboat, Snow Goose.
Eventually they returned to the mountains of her
birth, where she now writes.
Her book, NO NAME HARBOR,
POETRY OF BARBARY CHAAPEL 
may be viewed at
http://barbarychaapel.eveusa.com

BARBARY CHAAPEL


RED

 
That morning I hear the adults whisper
Red crushed all over the highway
Mangled, then
 
From the bus window I witness:
Red concrete.
At Hale Road School the children say
 
This woman was driving her station wagon to market
At dawn, full up with little crates of strawberries.
Head on, that’s how she died -
 
Red on red…which red which.
That very night I lay still as a dead girl
In bed, awed, afraid to bend my different self.
 
New red on new white.
The school nurse had said, Go tell Mr. Brewster
You have an emergency. He’ll understand.
 
Elaine and Laphine and I used our new word
As often as we could that day, said to the boys,
Mind your own bees’ wax.
 
A red place in time -
That’s what I remember: Whispers of an ending,
Knowledge beginning.
 
 

Lunar Spell

 
An ink-wash of night sky,
Slight windshimmer in the leaf canopy.
 
The Owl who talks too much,
Hoots when he shouldn’t…
 
Alerts Wood Rat and the Lovers
In the bramble and the Cow with bell
 
Tinkling ’round the bog path.
Imagine you have magic
 
And know things
As you travel this dark legend,
 
Where grows the white trillium,
And black bulrushes, starwort.
 
You recognize yourself,
The shade of you
 
Fresh from rapture,
Clothed in dew.
 
His mouth quivers.
Your teeth gleam.
 
Deep in the heart of summer,
Loup-garou.
 

JOY TODAY

 
Pretty brutes munch their first taste of spring green or
My dog, flat out, lays into the curves as she circles the pond
…Joy, me watching,
 
Not akin to the terrible joy of reading
Ken Bruen’s books about
That poor bastard, Jack Taylor,
 
Who speaks of Under The Volcano
As if
He’d lived it,
 
Or having in my possession
One fourth pound of hot cashews…
That’s some joy, but
 
The ultimate joy, of course,
A certain recognition
In your eyes.




JAMES SCHWARTZ is a poet and slam performer striving for the simplicity of Cavafy mixed with modern gay wordplay and elements; Schwartz's poetry / slam
material dialogues of GLBTQ issues and affirmations of gay (night) life and love.
James Schwartz was born 2.19.78 and raised in the Old
Order Amish community in SW MI. where he currently
resides.
Schwartz is the author of several poetry chapbooks
including THE SCARLET BAND AND OTHER POEMS (2005).
Most recently Schwartz's poetry was published by
POETRY LIFE AND TIMES (March 07 issue) and THE RAINBOW GAZZETTE (June 07 issue).
http://ajscyberreader.tripod.com

JAMES SCHWARTZ


SITUATION IRAQ: A SONNET

He cannot come out of hiding
Squardrons of homophobia await
Today saw escalation in the fighting
Squadrons of hetero hate.
He cannot come out as before to play
Parading about a Bahgdad cafe
Dancing the Iraqi night away
With boys the color of cafe au lait.
Beauty silenced with false desire
The enemies step grows bold
Wine, sodomy and gun fire
The desert night grows cold.
Marching boots, A sudden knock
A whispered prayer, A ticking clock.

THE BEGINNING: A SONNET

The black garbed men cluster by the shed
As the morning sun burns mists away
The unharnassed horses away are led
To the barns stuffed with hay
The men kiss in the Spirit of the Lord
As Christ once kissed his band
Across the green a rushing stream
Serenades the countryland
Only the brethren greet with a kiss
I am but a child yet know
What today I am to miss
And how far I have to go
To find redemption at the border
Of new beginnings and the Old Order.

SLUNDERED: A SONNET

Lumber forth from your slumber
With Frankenstein roars of confused fear
Do not return here, Slundered
Unshackle the chains that bind you here.
Follow the music of the night
Pulsing with lights from within the city
Wallow with the children of the night
They will bind your wounds with pity
They will sooth with electronic song
They will pay for another round
They will right your robotic wrongs
We lumber forth when the speakers pound
So stumble round the final bend
I will be waiting for you, my friend.

LET DOWN YOUR GUARD: A SONNET

Show your true colors boy. It's hard.
I never saw such beauty or grace
As when you let down your guard
And on the dancefloor I kissed your face.
Shoulder the many hued flag
March on hypocrisy, rally your rights
Your trophy is a rainbow rag
My triumph is our summer nights
Of distant fireworks and drunken lips
Of trance ballads and hungry hips
And on the dancefloor I kissed your lips
And after midnight I knew your hips
I never saw such beauty or grace, even in the dawn
Show your true colors boy, even when I'm gone.

GLOWSTIX: A SONNET

Hey, rehabed raver boy on the run
Glowstix reveal your neon tears
The evenings festivities have just begun
The setting sun reveals your years
"I never really come down" you said
Your tired face spoke the truth
You didn't come to bed
Nightclubs and drugs your fountain of youth
Pretty girls and prettier boys
Anything to get you by as I soldier on
Abandoning your broken toys
Anything to get you high as I smolder on
I was ugly, talking too fast
Hoping you would love me at last.

REVELATIONS: A SONNET

Hear the war cry in the drowning city
Hear their battle cries for blood
Biblical Scripture screamed in false pity
A sequined gown splattered with mud.
Hatred organized with terroristic care
Children choirs sing in fear
Watch me mince past with flair
The Christian right is neither: A mirror
Pages of a book lost in the flood
Ashes to ashes, dust to dust
Pages rewritten by the mud
No war cries to silence the lust
Venture into this new world with pride
Through prism skies I shall shepard and guide.
  

c. All poems by their respective authors, 2007.



Toni Calvello lives on the East Coast of the US with her dog, Morpheus.  Her work has been accepted in the Haiku Society of America Anthology, frogpond-Haiku Society of America Journal,  Paterson Literary Review, Edison Literary Review, Chiron Review, Asphodel, Stellar Showcase Journal, Canadian Zen Haiku: Online International Publication, Passion Among the Cacti Press, Pagan Pages, Autumn Leaves: An Online Poetry Journal, Peach Publishing Online Journal, and Inklings Newsletter. She currently teaches Writing at Rowan University and Liberal Arts at Rutgers University .

Toni Calvello


A Dirge For My X-Husband

 
One day you walked away from me,
the dawn I thought I’d never see.
You ripped my heart right from my chest,
and laughed while leaving, at your demonic jest.
 

The years have passed, and sure as ever,
I recovered from your sick endeavor.
The light has risen, as it always does,
and brought with it a love, not scuz.
 

And so I sing this lament for you,
As your face now meets with my spiked shoe.
 
 

A Hallmark Moment

 
Breakfast on Easter Sunday
 
We begin:
 
20 minute conversation about expensive new floor tile
 
30 minutes on bathroom remodeling
 
20 minutes on the fine art of digging a new well
 
40 minutes on what everything costs
 
20 minutes for complaints on spending so much
and getting so little
 
2 minutes:  definition of quality
 
0 minutes: spiritual matters
 
Breakfast over
 
Out the door
 
Air
Rain
Dirt
Life
 
Timeless


Thanksgiving Woes


Vapid conversation
insipid personalities
I choke on the dry
bland turkey.
Can't wait til next year
when we can do it all again.
Oh, but wait!
I think I feel the first
twinge of a cold.
So sorry, I must decline
your kind invitation.
Maybe next year...
thanks for thinking of me. 


Let Me Learn


I attended a “Let Me Learn” lecture last night.
We gathered in a square room
and sat in square desks.
Food, served in square plastic boxes;
warm water in square plastic bottles.

Everyone carried square valises.
The instructor forced our eyes onto a square screen;
 a square box, sitting on a square podium, spewed square images.
And then, the clarion called
and I fled, screaming into the darknwss.
 
Out in the night air,
the stars were there;
not one was square.


Oxford in the Twilight of My Mind


Old Oxford town
rolling into view.
 
From the tour bus window
I vaguely remember the distant past;
I remember the neighborhood,
the houses,
the stores.
 
Could it be
you were my home in the past,
dear old Oxford ?
 
The place I always remember,
the monastery,
the scribing for a living,
quill pen in hand,
the scent of lavender
wafting in the breeze
across the open court yard
to my window
as I gaze out at the Jabberwocky Tree.
 
Did I walk these grounds before,
stroll lazily through the forbidden garden,
worship in the cathedral--
 
the cathedral whose stones
speak of an ancient past,
whispering secrets while the
light of the sun illuminates the Rosetta window,
beckoning me remember this shrouded place
hidden in the optical illusions
of my imagination.
 
Oh, Oxford !
If I  had my way,
I'd come home again;
home to you and the wonderland
buried deep
 
 in the recesses
 of my mind.
 
c. All poems by their respective authors, 2007.


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